This sequel to one of my March selections tracks the struggle for freedom waged by the underage daughter of legendary Blue Fugate and Pack Horse librarian, Cussy Mary Lovett. With her mom imprisoned in 1953 Kentucky for violating state miscegenation laws, the book woman’s daughter must keep one step ahead of a social services agent, a sheriff, and a wicked misogynist wife beater, all hell-bent on locking her up in a state labor camp until she’s twenty-one years old.
Like a hot Appalachian summertime afternoon’s cold glass of lemonade that has some moonshine secreted in, this historical novel goes down smoothly, until it sneaks up and knocks you right out of your favorite reading chair.
Ms. Richardson’s attention to the titular heroine, Honey Lovett, is sufficiently inclusive of all the women in the book’s femmesphere: her ancestors, her biological and adoptive parents, neighbors, friends, townspeople, and even her antagonizers who want her imprisoned.
(You will want to read this book a second time, to isolate and track the growth and determined missions of several individual women in this femmesphere. Not all succeed fully within these pages, some even perish trying. You’ll have to decide if their fate amounts to as much freedom as they could possibly hope for, or at least achieve).
Much like the serene and beautiful Appalachian countryside, which hides its deep treasure and curse of coal, Honey is reckoned innocent and naïve by her oppressors, who are left stunned by her fierce drive for freedom and her obstinance at being refused. Her thirst for justice is as unable to be denied as that of the young, widowed coal miner who bides her time for revenge, delivered at her prompting, as a fatal face-destroying rooster attack.
The books cited as those Honey purposely picks to bring by muleback to patrons on her book route through the mountains are in part a tribute to Kentucky authors and in part provide readers of this novel significant and subtle insights into the recipients and the unfolding plot of the story. Ms. Richardson has essentially made books very appropriate foils and characters themselves in this book about books and their power to emancipate the mind, the body, and the soul.
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